Horacio is a recognized expert in Latin American repertoire for cello. He is the founder and artistic director of Strings of Latin America (SOLA), an organization with the mission of researching and promoting Latin American classical music for stringed instruments. Within SOLA’s initiatives, Horacio has coauthored The Sphinx Catalogs of Latin-American Cello Works and Viola Works, two free databases containing information about works for cello and viola by Latin American composers. These are the largest databases of their kind and are available online on SOLA’s website, and also thanks to the generous support of the Sphinx Organization and CelloBello. Click here to access the cello database through Sphinx, here to access the cello database through CelloBello, and here to access the viola database through Sphinx.
Within the scope of SOLA’s activities, Horacio has launched an internship program to collaborate with the new generation of string players and researchers. The program has the aim of immersing young performers and scholars into the experience of researching and promoting underrepresented composers and works from Latin America. Learn more about the internships here.
Another one of Horacio’s most recent projects is The Voices of Latin American Cello. It is a series of educative videos where people can learn about all things related to Latin American cellists and cello works from the voice of the protagonists.
He is also the author of pedagogic materials, and his cello adaptation of the celebrated Exercises in Various Combinations of Double-Stops by Dr. Roland Vamos was published by Carl Fischer.
In addition, he is the author of scholarly articles and presentations. He has been invited to present papers and lectures at conferences, festivals, universities and conservatories throughout the Americas and Europe.. His works have obtained honorific mentions and have been published in scholarly journals. Horacio has received research grants from the University of Michigan and the Program of Stimulus for Research of the Venezuelan Department of Technology and Innovation.
CelloBello’s Teacher Training Seminar presentation about how to use Latin American music as a tool for teachers and performers.
The series of three bilingual posts provides context about the history, the style, sources and editions, and the pedagogical value of the first cello concerto written in Latin America
Ricardo Castro’s concerto is the first concerto for cello written in Latin America. It is written in a romantic style. The edition includes a piano reduction available for purchase here.
The resource is developed by the team of Strings of Latin America in partnership with the Sphinx Organization towards the mission of providing visibility to Latin American classical music. The directory contains biographic information and lists of works by Latin American composers.
With more than 820 entries on the date of its release, The Sphinx Catalog of Latin-American Viola Works is the most comprehensive database that contains information about works written by composers from Latin America, where the viola has a prominent role. It was created in partnership with the Sphinx Organization and Dr. Jesús Alfonzo. The catalog is free and available online through the sponsoring websites of the Sphinx Organization and Strings of Latin America.
The Voices of Latin American Cello is an educative audio-visual series featuring the protagonists of the cello-related classical music scene in Latin America. The series is hosted by the YouTube channel of The Sphinx Catalog of Latin-American Cello Works.
Webinar patrocinado por la Universidad Nacional de Música de Perú acerca de cómo usar el Sphinx Catalog of Latin-American Cello Works como herramienta para intérpretes y profesores.
With more than 2200 entries on the date of its release, The Sphinx Catalog of Latin-American cello Works is the most comprehensive database that contains information about works written by composers from Latin America, where the cello has a prominent role. It was created in partnership with the Sphinx Organization and Dr. German Marcano.
Informative presentation about Latin American cello music given at the National Convention of the American String Teachers Association.
This collection of double-stop exercises fill a void in the literature of technical exercises for cellists.
Study about a Venezuelan musical ritual of indigenous origin that bears the name of El Baile de las Turas.. Published on the Anthropology journal Boletín Antropológico. Año 34, N 91, Enero-Junio, 2016. pp. 53-74. You can find the article here.
Interpretación y Werktreue en las Ediciones del Siglo XIX de las Suites para Violoncello de J. S. Bach. Paper presented at the Universidad Nacional de Colombia about the different editorial approaches in early editions of Bach’s cello suites.
Música, memoria e identidad en el ritual de las Turas de San Pedro de Mapararí, Estado Falcón: Study about a Venezuelan musical ritual of indigenous origin that bears the name of El Baile de las Turas. Paper presented with Natali Herrera at the Third National Anthropology Conference of Venezuela.
A study about the use of fieldwork as a tool for musical interpretation, centered around the work Jaguar Songs by Paul Desenne. Published in the musicology journal musicaenclave. Spanish version available here.